“Time For Ocean Aid” was released on 2 February, World Wetlands Day. My song features synth and piano by Crum, who has played in Shockhead, Hawkwind, and The Moonloonies, but now fronts STARRATS. His keyboard wizardry gives my acoustic protest song a space-rock and psychedelic flavour. Psyche-folk is a new genre for my music. Daz, also from STARRATS, has created the music video for “Time For Ocean Aid.” I had recorded the basic acoustic track with the help of Ricardo Verdelho at his VerdelhoStudio in Quinta do Conde in Portugal. The lyrics for “Time For Ocean Aid” were included in my new book, Saving Mother Ocean, which was published on 26 November, 2021, by Moon Books. It tells the story, not only of “Time For Ocean Aid,” but also for my song “Where Does All The Plastic Go?” and how I responded to the call to action I felt. In my songs and book I am hoping to motivate many more people to take action in any way they feel, to help save not only the oceans but the environment, wildlife habitats, and life on Earth! The lyrics are:
We've got to save the birds, we've got to save the bees, We've got to save the forests, we've got to save the seas. When I look at all the mess we've made, I think it's time for ocean aid. Micro-plastic pollution, it's bound to make you think, it is even in the air and the water that we drink. The Amazon has burned so much, Australia's been burning too, Wildfires are the new normal, so what are we gonna do?
We've got to save the birds, we've got to save the bees, We've got to save the forests, we've got to save the seas. When I look at all the mess we've made, I think it's time for ocean aid.
There's an insect Armageddon, a sixth great extinction underway, But keep the economy growing, There's more jobs I hear them say.
We've got to save the birds, we've got to save the bees, We've got to save the forests, we've got to save the seas. When I look at all the mess we've made, I think it's time for ocean aid.
Where are the real world leaders? Please tell me where they are. The ones in the media are just talking more blah-blah.
We've got to save the birds, we've got to save the bees, We've got to save the forests, we've got to save the seas. When I look at all the mess we've made, I think it's time for ocean aid.
“Time For Ocean Aid” is part of my much bigger, in fact mind-bogglingly massive, “Ocean Aid” project. You see, I am hoping that one day there will be a stadium-sized “Ocean Aid” concert, or concerts, with many internationally famous rock and pop acts taking part. It is an international campaign too because the oceans are under threat worldwide. Plastic pollution, overfishing, seabed mining, oil spills, nuclear waste, “dead zones,” coral bleaching, military testing and sonar, as well as, last but certainly not least, climate change, are all taking a heavy toll on marine life and the health of the oceans. I want to raise funds for Sea Shepherd and was honoured by having Captain Paul Watson, who founded Sea Shepherd, endorsing my book Saving Mother Ocean. My message is finding media coverage around the world but I need it to keep on doing so. So far I have been in Filippo Solibello’s book SPAM Stop Plastic A Mare, published in Italy, I’ve been featured twice in The Portugal News, been on the radio in Spain, Ireland and the US, been featured in the GONZO Weekly in England, given coverage in The Wave magazine of the Rotary Club of Wyndham Harbour in Australia. In Wales, the country I was born in, I am delighted to have the full support of Mike Kennedy, who runs SWND Magazine and the SWND Records label. “Ocean Aid” has been featured in a 2-page article in the SWND Magazine.
Please help me spread the word about “Ocean Aid!” It is certainly time for helping to save the seas!
“Ocean Aid” has been an idea, an aim, a developing international project, and now a song. I have talked about “Ocean Aid'' in books, in magazines, a newspaper, on websites, on podcasts and on the radio. “Ocean Aid” has been featured in articles or interviews with me, in Italy, Portugal, Wales, England, Ireland, Spain, Australia, and the USA. Like, I said it is an international project. Italian radio host and author, Filippo Solibello, gave me a 4-page chapter in his book SPAM Stop Plastic A Mare.
He was touring Italy promoting his book and also telling people about my song and ideas. I was looking forward to going over to Italy to join him at some point but then the pandemic struck. Despite lockdowns and restrictions I have kept working doing what I can online and in any media that will give me a platform to spark out on. I am reaching out to people all around the world to take action to help save the oceans and the marine life in them. The idea for “Ocean Aid” originally came to me when I wrote my song “Where Does All The Plastic Go?,” which I recorded and released in 2019.
Everyone will remember “Live Aid” and the massive concert that went under that banner, with many internationally famous acts performing for the event. I thought that ideally a concert of that sort of magnitude could some day take place at a stadium sized venue somewhere. The aim would be to raise awareness of the threats to the ocean, as well as raising funds for a charitable organisation like Sea Shepherd, an organisation that is already working hard at reversing the terrible damage to the seas and marine life in them. I chose Sea Shepherd because I believe it is the organisation most committed to saving the seas, and that it is treating the matter as a top priority. Captain Paul Watson, who founded Sea Shepherd has said: “If the ocean dies, we die.” I started my new book Saving Mother Ocean with this quotation from Captain Paul. It shows how urgently we should all be thinking about what we can do to save the ocean. It is a call to action, as is my book, and songs. I use the plural “songs” because I wrote another, with the title “Time For Ocean Aid.” I have been playing it live and online, and opened an Ocean Aid concert that was performed in Feb, 2021 with the help of the regular singers and musicians from Rew Starr’s ReW & WhO? Show from New York. We raised some funds for Sea Shepherd, and I had seen my idea become an actual reality, even if on a small scale. Since then I have been telling musicians and promoters to organise their own “Ocean Aid” concerts. I want to see this type of event taking place all around the world, because saving the seas really should be a priority around the planet. I recently recorded my song “Time For Ocean Aid” at the Verdelho Studio, in Quinta do Conde, in Portugal, where I am based.
My good friend Crum, formerly of Shockhead, Hawkwind, and the Moonloonies, and now with a new band called STARRATS, very kindly added his keyboard wizard skills to overdub some piano and synthesiser. This has really added to my song and given it a space-rock feel which works well with the basic acoustic protest song. Daz, also from STARRATS, has created a music video to go with it. I will be releasing “Time For Ocean Aid” on 2 February, which is World Wetlands Day, and which seemed an apt time to do this. It really is TIME FOR OCEAN AID!
My new book Saving Mother Ocean is part of the Earth Spirit series from Moon Books and was published on 26 November 2012. It opens with a quote from Captain Paul Watson, founder of Sea Shepherd, and he says: “If the ocean dies, we die.” I chose this quotation when writing my book because it sums up what a serious situation this is. Most people are aware of the plastic pollution problem but there are many more threats to the oceans. Overfishing, seabed mining, acidification, sonar and military testing, nuclear waste dumping, pollution from other sources besides plastic, and climate change, are all taking a heavy toll. Coral reefs are in danger from coral bleaching. I cover all these subjects in my book, taking a look at the problems. I look at solutions too and explain my personal journey, and what taking action has meant for me. Really this is an important part of my message to readers, because I am hoping to inspire as many people as possible to take action that is suited to their lives. We can all do something to help save the seas, and save the environment and life as we know it on this planet. I mention Greta Thunberg several times as an example of a person who decided she had to do all she could and to encourage others to do likewise. In fact, I have devoted a whole chapter, entitled “Let The Children Lead Us” to young activists who have spoken out and made changes in their lives because they felt a calling to do this. Speaking of young people, who are activists, I included 13-year-old Lilly Platt, who is a Global Youth Ambassador and is most famous for her lillysplasticpickup project.
Lilly collects plastic and other litter and displays what she has done on social media. Many people around the world are cleaning up beaches and their local environment, and this is spreading. I talk about how reduction is so important, reduction of the amount of plastic we buy, reduction of the amounts going into the environment, and reduction in all the ways that the consumerist world we live in is destroying nature. I have included the story behind my songs, “Where Does All The Plastic Go?”
and “Time For Ocean Aid” and how I came up with the idea for “Ocean Aid” concerts. I have been getting publicity around the world, for my songs, book and idea. So far Italy, Portugal, Spain, Wales, England, Ireland, Australia, and the US, are the countries that have given me a platform to discuss plastic pollution and other threats to the oceans. Taking action can open all sorts of unexpected doorways. An example of one of these, has resulted in me becoming a Rotarian. The Rotary Club of Wyndham Harbour in Australia discovered me on Instagram and featured me in their The Wave magazine pages 80 and 81. I began attending Rotary meetings online and discovered not only were there many Rotarians keen on listening to what I had to say, but also very many who were environmentalists and activists worldwide. I went on to join ESRAG (Environmental Sustainability Rotary Action). The fact that it was an Australian club that featured me fitted well with how I look at the problem of the threats to Mother Ocean. The oceans do not belong to anyone, we all share them, and depend on them, so the more countries that want to help me raise awareness the better. I am really pleased to be able to announce that Saving Mother Ocean is available from good book suppliers in most parts of the world. Just try Googling it where you are. I am also delighted with the endorsements my book has had, and the reviews that are starting to be shared.
I was honoured to have Captain Paul Watson’s endorsement, which is included on the back cover, and I will leave the last word to him: “Steve Andrews understands that the key to defending and protecting life and diversity in the Ocean is to use what you are good at to find solutions to seemingly impossible problems. The strength of an eco-system depends upon diversity and interdependence within it. By harnessing our passions to the virtues of courage and imagination we can find impossible solutions to seemingly impossible problems. Saving Mother Ocean is inspiring, informative and a call to action by all of us to save the Mother to all of us - the Ocean.”
Here where I live in Portugal there are still butterflies flying in December. One of the most commonly seen is the Red Admiral (Vanessa atalanta). The males establish territories they patrol on scrubland, while mated females seek out patches of Annual Nettles (Urtica urens) that grow well at this time of year, due to the late autumn rains. These nettles often grow as weeds in gardens and so the butterflies can often be seen there too. The caterpillars make tents out of the leaves and can be found by looking rolled up leaves at the top of plants. There is a patch of ground where I took the photo above, where I see Red Admirals every year. It is almost as if the same butterfly has returned, as regular as clockwork, but of course, they are new butterflies. This leaves the question of how do they select the same spot each year. It is amongst scrub and pines but there are plenty of similar spaces.
Small White (Photo: Steve Andrews)
The Small White (Pieris rapae) can often be seen too in December. I presume the Large White (P. brassicae) are still around, though I cannot vouch for this. although at other times in the year they are common. Both species can be seen in urban settings where they fly over parks and gardens in search of cabbages, cauliflowers, kale and broccoli on which their caterpillars can feed unless gardener spots them and removes them. Both species can be found in rural areas too where the females lay their eggs on wild species in the Cress family (Cruciferae).
Speckled Wood (Photo: Steve Andrews)
There are still a few Speckled Wood butterflies about as well. The subspecies most often seen Portugal is Pararge aegeria aegeria. The speckles on its wings are more of a tawny orange shade than the usual pale yellow markings that contrast with the darker brown. At first sight these Portuguese Speckled Woods closely resemble the Wall Brown (Lasiommata megera), and I must admit I was fooled by this similarity when I first came to Portugal. The Wall Brown has seriously declined in the UK. Both these butterflies use various grass species as food-plants for their caterpillars. Here in Portugal I always wonder what the butterflies that need grass do in the hot part of the year when all the grass has died or become dessicated and brown. They have some means of surviving these times of summer drought. The Meadow Brown (Maniola jurtina) is very common where I live, which is in a town about 25km south of Lisbon. It is not seen in winter but when it does fly in summer I have seen these butterflies sheltering in the shade of clumps of trees.
Swallowtail caterpillars on Rue (Photo: Steve Andrews)
There are still caterpillars of the Swallowtail (Papilio machaon gorganus) feeding on Rue in gardens, though I haven't seen any adult butterflies since November. The winter chrysalises of this species are a brownish colour, as opposed to the green ones that are produced for the rest of the year. These chrysalises and any still to be produced, will stay sleeping until the spring when the cycle begins again. Speaking of Swallowtail butterflies, I saw a female of the Southern Scarce Swallowtail (Iphiclides feisthamelii) in the first week of December, despite the cold. She was inspecting an almond tree on some waste-ground near where I live and laying her eggs on the remaining leaves. Sadly her efforts were in vain because the tree has since shed all its leaves. I went back to see if could spot any caterpillars that had hatched, with the idea that maybe I could keep them indoors and feed from any leaves I could locate on plum, peach or almond that hadn't yet dropped theirs. There were no leaves and no caterpillars. This female butterfly was out too late in the year here. Many species are being affected by climate change and are doing what they can to adapt to the ever changing conditions we are experiencing. Next month is usually the coldest month of winter in Portugal and we get hard frosts then so I am not expecting to see any January butterflies but these days you never know!
I am leading the way with songs about plastic pollution with my song Where Does All The Plastic Go? But I also came up with an idea for Ocean Aid Concerts to raise awareness about threats to the oceans and to raise funds for charities that are working on saving the seas and the marine life in them.
Time was ticking by and although many people said what a great idea this is, nothing actual in the way of events was happening. I had had the dream of a massive concert in a stadium somewhere, a concert following in the worthy footsteps of Live Aid with many internationally famous singers, bands and musicians on the bill. It was a very big dream but there’s nothing wrong with that. I was hoping to start with something smaller to help get word out there and eventually this would lead to an Ocean Aid Concert with very big names on the bill. But then came the Covid-19 pandemic and put a stop to so many things. With lockdowns and restrictions the world of music was hit very badly indeed, and as it stands currently even big festivals like Glastonbury have had to be cancelled again. But musicians soon realised that even if they could no longer play on actual stages at offline events they could still play online at live streamed virtual concerts. I started doing this myself and soon befriended a lot of talented singer-songwriters and musicians who are regular performers on Rew Starr’s ReW & WhO? Show from NYC. This year I decided that action needed to be taken to actually get Ocean Aid Concerts really happening. No more talk about it but action! I concluded too that word would soon spread and because plastic pollution is a threat to the oceans and environment worldwide, the more of these concerts the better and the more countries that get involved the better too. In all media coverage this year I am getting, I am talking about Ocean Aid Concerts. I have one planned and many performers from the ReW & WhO? Show are joining me for this. Acts on the bill are myself, Rew Starr, Brute Force, Carol Lester, Donald Black Cat, Joel Landy, Mimsey MacCormack, Dennis Doyle, Tucky Parkis, Yvonne Sotomayor, Rock’n’Roll Johnny Bod, Kenn Rowell, and Marilynn Larkin, Ondine PM.
The concert is taking place on 10 February at 8pm - 10pm UTC (3pm - 5pm EST). I am supporting Sea Shepherd because this organisation is already out there saving the oceans and the marine life in them. It will be livestreamed on several Internet platforms but the best place to find it is here: http://www.hotindiemedia.com/
I had intended using the JustGiving fundraiser website to collect donations for Sea Shepherd but the site is confusing. At one place it claims that users can donate from all around the world and in several currencies, which is why I thought it would work fine, but elsewhere it explains that donations cannot be accepted for charities outside the EU: “You may notice that you’re not able to donate to certain charities outside of the European Union. This is because they adhere to different local laws and may use different payment products which at this time, don’t allow you to make choices about whether or not the charity receiving your donation can see your information.” I had discovered that people in the UK and The Netherlands were unable to donate and this would explain it. I sent a message to JustGiving Support four days ago but they still have not replied. I suppose they don’t know how to when their site contradicts itself!
A friend suggested I tried using GoFundMeCharity, and after some initial problems there, with the help of someone in the site's support department, I now have a campaign site working there. The JustGiving link for donations appears to work for Americans and it can stay, so please use it if you are in the US (Canada may work too and other non-EU countries), but if you are in the UK or EU please donate via this new GoFundMe link.
Many people talk about Mother Earth but I think we should also talk about Mother Ocean, after all, the oceans are where all life began long, long ago, according to science. Today the dangers to marine life are many. Besides plastic pollution, overfishing, agricultural run-off causing dead zones, seabed mining, military testing, acidification, coral bleaching, nuclear waste dumping and climate change are all taking a very heavy toll too. So please support Ocean Aid with your donation and by spreading the word!
There have been three kings in my life, and all have a strong connection to the natural world. The Kingfisher, of course, is a well known and colourful bird that fishes like its name suggests. Kingfisher is also the title of a song of mine I wrote many years ago after seeing one of these birds whilst walking by the Glamorgan canal that runs from Whitchurch to Tongwynlais. My song has nothing to do with that experience really but it was the inspiration for the title. Kingfisher has proved very popular and shows what can be done with as few as two chords. I play it in E and A major. Back in the early 1990s I remember hearing it blaring out the doorway of a chip shop in Cardiff’s Caroline Street, and thought, wow, that is my song, I am hearing! It was being aired on Red Dragon FM, a local radio station, by my friend radio host Steve Johnson. Another time I was in the city centre when I heard the unmistakable voice of my friend the late Pixi Morgan, who was a fellow singer-songwriter and busker, singing “Kingfisher’s green, kingfisher’s blue, he’s so lovely but I love you, I’ll be your kingfisher.” Pixi often included my song in his set and must have entertained people with it in many towns and cities. It is a mark of success having a song of yours covered by another artist. Kingfisher is popular with Druids and pagans too and has the line, “Queen of the summer, Queen of the May,” making it an ideal song for Beltane celebrations, and I have often performed it at the Gorsedd circle at Avebury.
King Arthur
Speaking of Druids brings me to the next King. In 1996 I met and was knighted by King Arthur Uther Pendragon, who is a Druid and who believes he is the reincarnation of the legendary Celtic chieftain. King Arthur leads a Druid Order known as the Loyal Arthurian Warband and members are sworn to uphold the Ancient Virtues of Truth, Honour and Justice. I am a Quest Knight and Bard of the order. Once again Steve Johnson and Red Dragon Radio plays a big part in my story. I had been on Steve’s Round Table radio show on the 23 December and we had been talking about what I achieved by writing letters. Little was I to know then that the following morning was not to bring me more Christmas cards or presents but a single letter. It was a reply to me from King Arthur, in response to mail I had sent some time ago to his AWEN Newsletter. Arthur told me a bit about his Druid Order and suggested that to find out more I tuned into a Radio 4 show that was being broadcast in the New Year about him. I did so and was amazed to hear in an early part of the programme the voice of Pixi Morgan wishing people a “Happy Beltane.” It turned out that Pixi had been Arthur’s Herald at the Twyford Down protest camp. So that was how my introduction to King Arthur came about and it continued with my actual meeting with him in person when he travelled to Cardiff with a crew from Sky TV to make a documentary about reincarnation. I had agreed to be knighted in this at Tinkinswood Burial Chambers just outside Cardiff. Arthur extended the invitation to Pixi to be knighted there too and this happened for the TV cameras. Amongst the proceedings that got filmed was me singing Kingfisher. Some time after all this I wrote a song entitled King Arthur’s Coming and it got used by a number of TV shows. The Slate on BBC Wales included me singing a live version, a documentary on eccentrics on Meridian TV used a recording of the song, and so did another documentary on the German ZDF TV. King Arthur, besides being well known in the media as a Druid, is also famous for his work as an ecowarrior, who has been arrested many times at protest camps where he has been trying his best to protect the land. He is fulfilling the prophecy that King Arthur would return when the land was in its greatest need.
The King of Fuh
The third King is the King of Fuh. This King is a fictional character in a song of the same name by American singer-songwriter and actor, Stephen Friedland, who is also known as Brute Force. He and I became known to each other this year because we are both regular performers on the online show ReW and WhO? from New York. The show is hosted by singer, musician and actress Rew Starr and Green Party candidate James Lane. Brute Force has performed the King of Fuh on ReW and WhO? I was not surprised when I discovered that this amazing song had given Brute the nearest he got to his “big break.” In 1969, Beatles George Harrison and John Lennon were so impressed with Brute’s song and songwriting talent that they wanted him released on Apple. And so it was that a limited edition of 1,000 singles of the King of Fuh were pressed on the Apple label. Everything looked as if this was going to be a massive success for Brute but sadly EMI/Capitol Records and the BBC soon put a stop on this happening. It was thought by them that lyrics in the song that use the words “Fuh king” were not suitable for public airplay and so no radio station would play it either. Brute discovered that the taboo about using the F-word on the media at the time was so powerful that his song got pulled from the distribution it should have had. This is so sad because it does not actually use the F-word. The King of Fuh is a song with lyrics that for me make reference to the crazy world we are in, in which the beauty of nature has not been seen as vital to our lives. Lyrics of the song go: “You look up high and you see the sky so big and blue and you wonder why people don't worship beauty, You look down on the ground, you see the flowers there red and blue and brown, And you wonder why people don't worship beauty. There was a beautiful land, There was a beautiful land, There was a beautiful land called Fuh, And in this land there was a king and everybody called him the Fuh King.”
I am happy to say that I have been able to help Brute get some more publicity for his music because I introduced him to Michael Kennedy who runs the SWND magazine in Wales, and who is now interviewing Brute for the November edition. In conclusion, I’d just like to add that I saw a Kingfisher, wrote a song saying “I’ll be your Kingfisher, “ and then went on to befriend two kings! Make of that whatever you will!
The plight of the Navajo Nation in the Covid-19 pandemic
Did you know that the Navajo Nation is the hardest hit community in the U.S. when it comes to the pandemic? The news is full of reports about what is being done about the Covid-19 virus in countries around the world but nowhere near enough coverage has been given to how the indigenous people have been coping with the danger from the Coronavirus. The Navajo Nation, who are the second largest tribe in North America, have reinstated lockdowns because the tribal leaders have feared the spread of the virus after suffering the highest death toll than any American state. They fear that people carrying the Coronavirus from the neighbouring states of Utah and Arizona will bring it into the Navajo territory, either directly or via contact. But complicating matters to a very serious degree is the fact that the Navajo are dependent on grocery stores outside their land for food and basic supplies. This means they must risk infection. Tragically this is the consequence of many years of destruction of their original way of life and the attempted assimilation of the Navajo into the global ‘civilised’ way of life.
Navajo Nation - Covid-19 claims whole families
This has happened over and over and over again through the centuries to indigenous people worldwide. Their traditional ways of supporting themselves with food, water, and other needs they once were able to find in their local areas, and without causing any environmental damage, have been destroyed by the invasion and colonisation of their homelands, together with the destruction of indigenous culture. You may think this was all in the past but it continues today in various ways, such as use of or pollution of water sources by industry or mining, logging and general deforestation, and being pushed into barren areas where it is difficult to grow food. Indigenous people have been terribly weakened by this ongoing assault on their ways of life. Not only that but most indigenous people have immune systems that do not fend off virus attacks well. Kogi Guardians of the Planet appeal for help
The Kogi people from Colombia in South America were featured on a BBC documentary back in 1990. It was entitled From The Heart of the World: The Elder Brothers’ Warning. It showed the Mamas or Mamos spiritual leaders of this tribe, who are the surviving descendents of the ancient Tairona people, and who live high on the Sierra Nevada de Santa Marta. At the time of the Spanish invasion long ago these people retreated to the high mountain areas and for many years shunned all contact with the outside world. By doing this they have maintained their ancient belief system and culture. They believe that they really are the Elder Brothers and that they were given sacred work to do as Guardians of the Earth. They regard their mountain home as the Heart of the World. By the way, the word mama or mamo means “enlightened one,” and these people certainly have an ancient wisdom. The mountain they live on has examples of every habitat and microclimate for the rest of the world, so is like a microcosm of the planet. The Mamos are able to tell by looking at signs in the ecosystem there what it is like elsewhere and what can be expected in future. Now the “Younger Brother,” who make up the rest of the world of civilised people, in the Kogi belief system, were long ago sent away across the ocean and given knowledge of machines. Sadly they returned in the form of Spanish invaders bringing with them guns, death and destruction. For this reason the Kogi kept themselves to themselves until 1990 when the Mamos were so alarmed by what they could see happening that they broke their silence and agreed to talk to the Younger Brother to give a warning. This is why they allowed Alan Ereira, who directed the documentary, to visit them to make the film. So let us take a look at their warning message. This is part of what was said: "The Great Mother gave us what we needed to live and her teaching has not been forgotten right up to this day. We all still live by it. But now they are taking out the Mother's heart, they are digging up the ground and cutting out her liver and her guts. The Mother is being cut to pieces and stripped of everything. From their first landing they have been doing this. The Great Mother too has a mouth, eyes, and ears. They are cutting out her eyes and ears. If we lost an eye we would be sad. So the Mother too is sad, and she'll end, and the world ends if you do not stop digging and digging."(Click on the highlighted film title in the text above to read the rest of the transcript and to watch the documentary). What had really disturbed these people was the fact that the clouds and the snow and ice that should be on the peaks of their sacred mountain home had gone. The highland tundra was drying out and thawing and plants that grow there were dying. Without water coming from the mountains they know well that everything below will eventually die. In their warning they said that we, the Younger Brother, are destroying all natural order by mining, taking minerals and oil from the ground, deforestation, and other destructive ways, and that if we do not stop eventually the world will come to an end. They also warned that new illnesses would occur and that there would be no medicine or cure for them.
Ramon's speech in which he spells out the Kogi warning
It seems they were proved right because now we have the Covid-19 pandemic. Tragically the Kogi are victims of this disease that they predicted too. They have taken measures to isolate themselves but are desperately in need of food and supplies that have not been provided by the Colombian authorities. What if these people really are our Elder Brothers and the Guardians of Planet Earth? Shouldn’t we be listening to their warnings and shouldn’t we be helping them now?
Urgent Message From The Kogi During the Covid-19 Pandemic
Please help me spread the word about “Ocean Aid!” It is certainly time for helping to save the seas! 
